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Artist participation

This section provides questionnaires and guides to good practice for interviewing artists and/or their representatives. INCCA's aim is to collect information on working methods, the use of materials and techniques and their meaning, the artist's view on deterioration and conservation, etc. These questionnaires and guides may help to improve the approach for interviewing artists and collecting information by other means. 
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1 Student interview project: Future Artists and Future Conservators 267
2 GARDENER, P., BURNSTOCK, A. & VASCONCELES, A. The Influence of Access to the Artist on the Conservation of Allen Jones' Works from the 1960s, 2008 1504
3 MACEDO, R. Contemporary Art Challenges to Conservation, 2006 1638
4 ICN / SBMK, Scenario for Artists' Interviews, 1999 1726
5 Inside Installations: Research on Artist Participation, 2007 1420
6 INCCA Guide to Good Practice Artists Interviews, 2002 1927
7 KERSTEN-PAMPIGLIONE, N. Artist questionnaire format for works on paper, 2008 1575
8 HUYS, F. A Methodology for the Communication with Artists, 2000 1599
9 GAGNE, S. Artists’ Interviews: Art Conservation Program at Queen’s University, 2006 1725
10 WEYER, C. & HEYDENREICH, G. From Questionnaires to a Checklist for Dialogues, 1999 1404
11 SCHEIDEMANN, C. Men at Work: The Significance of the Material in the Collaboration Between Artist and Fabricator in the 1960s and 1970s, 1999 1370