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After project completion abstracts will be moved to the Projects Archive. When applicable, project results, in the form of good practice documents (articles, theses, guidelines, formats) are included in the Resources section under the appropriate subject heading.
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1 2009 OBERMANN, A. Master thesis “Win, Place or Show” - a “retrospective” Documentation
2 2004 KAUFMANN, A. Diploma thesis on the assemblage „Radrennbahn“ by Dieter Roth - conservation and restoration
3 2005 KLAUKE, K. Diploma on traces of an exhibition journey – two furnitures of the series »OZOO.600« of glassfiber reinforced polyester resins
4 2005 KESSLER, T. Diploma thesis on Panamarenko’s „magnetic spaceship“. Development of a concept for the conservation and restoration with special regard to the polyurethane (PUR-) expanded foam
5 2005 BECKER, J. Diploma thesis on Sculptures made of polyester resin by the artist Gottfried Kappen
6 2005 HOMUTH, S. Diploma thesis on the Color Field Painting “Number 4-32” by Morris Louis. Removal of partial brownish discolorations in the fabric
7 2005 NAGLER, C. Diploma thesis on tears in polyamide fabric used by Gotthard Graubner for his „Farbraumkörper“. Test of adhesives
8 2005 SCHAFER, S. Diploma thesis on the painting „Blauflut“ by E. W. Nay. A flaking paint film on a matt surface
9 2005 JAHN, A. Diploma thesis on the „Humerus Fracture“ of the sculpture „Woman with Purse“ by Duane Hanson, concept and restoration
10 2006 BARTOSCHEK, K. Diploma thesis on Smart Labels based on radio frequency identification technology (RFID) – A case study in the collection of the Museum Ludwig (Cologne)
11 2006 REISS, E. Diploma thesis on blood as a material used in contemporary art
12 2006 BREDER, F. Diploma thesis on painted outdoor sculpture Jardin d'émail by Jean Dubuffet
13 2007 WELLMANN, K. Diploma thesis on the concrete frieze „The Kingsparade“ by Tom Otterness. Techniques and development of a concept for conservation
14 2007 SUPIANEK, C. Diploma thesis on the Decision Making Model in textile conservation. Adaption and testing of practicability on two case studys „Siegburger Löwenseide“ and „Lichtobject" 1977 by Krijn Giezens
15 2007 MAGER, S. Diploma thesis on canvas without an auxiliary support in contemporary art – textile supports with special properties and requirerments
16 2007 FROHNER, C. Diploma thesis on metallic copper as a pigment used in modern painting technique. Conservation and restoration issues of the case study ‘Lake City’ (1963/64) by Frank Stella
17 2007 PAFFGEN, I. Diploma thesis on Les Levines Disposables – Multiples made of vacuum-formed plastics of the 1960s and 70s
18 2008 ENDRESS, A. Diploma thesis on two scanachrome prints on cotton fabric by Rosemarie Trockel
19 2008 SCHULZ, J. Diploma thesis on the research of the causes for „liquid oil paint films“ in contemporary painting - Evaluation of possible conservation methods for the canvas painting “Harvest” (1993) by Otto Piene
20 2008 FERRES, A. Diploma thesis on a glass fibre reinforced polyester sculpture by Martin Honert – Developing a concept for the conservation and restauration focusing on flaking polyurethane coatings
 
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